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First Place, Poetry, NMW Awards 14 |
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Larry BradleyRenovationCopyright 2002 by Larry Bradley |
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mechanical almost, lifting its eaves to the flies, picking the jellied grubs from joist to joist, rifling through nests of insulation so the wings of this house seem folded over each window, to delay the sun, that curable thing, and as the plumage warms itself, it grows cool where you stand on the first floor landing, separating the truth from lies, knowing those stairs can climb up and up, up and out. The croon of a handsaw sweeps you inside, into what the men are doing here to the old bathroom, every plank of wood measured and set, the nails beaten into wall with the rhythm of ark-builders, and the pairs of hands, so many Noahs rough hewn or manicured, sailing from wall to window, from each outlet to a hole in the floor gagged with an old T-shirt, where the sewage pipe opens its mouth to breathe, from the dry vac snorting the dust of plaster like an addict, taking the life of each shed particle into itself, to where you remain, dumb, the nasal life of the vacuum becoming your own, your tongue washing its low sounds, the taste of soup can in your mouth, almost as though you're in the middle of an essential food-chain, the human machine absorbing the hysterics of a cleaning machine that picks dead remains of skin dry matter. They're changing this house, your whole past, the walls you'd torn down with a mallet and steel gloves, gutting the shell like open heart surgery, the chips of dry wall and tile ribbing through your body; you had destroyed what had stood so long, but no matter how hard you chiseled to work a crooked nail from its hole or hammered a fist against stone walls, to tear this all down for good, there was someone waiting to rebuild around you, some doctor outside to save this life with a keen fishhook stitch. Larry Bradley's manuscript The Spirit Of Gravity was a finalist for the Yale Series of Younger Poets and Walt Whitman Award. Recent work has appeared in The Paris Review, Poetry Northwest, and Western Humanities Review. |
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